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Eva Marco, born in Madrid, Spain in 1985 studied “Canto Lírico” at the Music Conservatory of her native city where she graduated in 1999. Subsequently, she attended master classes with Virginia Prieto, Carlos Espinosa, Miqel Ortega, and others. And, eventually, she completed her vocal education Bachelor with an Excellence Scholarship from the Katarina Gurska Foundation, with the acclaimed soprano Milagros Poblador and maestro Manuel Burgueras, regular pianist of Monserrat Caballé with whom she perfects her technique.

At this moment she is being coached by the international acclaimed soprano, Nino Machaidze in Milano on a monthly basis, since September 2019 and, thus, she is a student in the prestigious Bel Canto Academy in Levico Terme, Trento, Italia under the baton of Massimo Lambertini.

From August 2018 until February 2020 she was part of the cast of the production “El Medico” the musical written by Noah Gordon, in co-production with versus creative, she plays Agnes (Cover 1). This musical has been very acclaimed by the critic and lasted until January 2020.

She has a Law Degree from the Complutense University of Madrid.

She completed studies in choral conducting, vocal stylistic, and vocal technique with Carlos Espinosa, Virginia Prieto, Josefina Arregui, and the orchestra conductor Miquel Ortega.

She has had multiple operatic interventions throughout her musical career in “Carmen” of g. Bizet in the paper of Carmen at Palau de la Música de Cataluña (Opera Studio), Mercedes, “Flora bervoix” of “La Traviata” de g. verdi, 2nd lady of “the magic flute” of W.A.Mozart, Berta in the barber of Seville. g.rossini etc … from her repertoire of oratory the following are remarkable interventions: Petite solemn Mass by G. Rossini, ninth S. Beethoven, requiem by G. Faure, major mib Mass by F. Schubert, Requiem by W.a Mozart, etc.

More recently she appeared in new roles as Suzuki in Madame Butterfly an opera produced within the Agency Concert Agency Artist Media Management, under the direction of Mtra. Voronkova and Francesco Mancuso. In 2018 a show as a soloist of the pulse and plectrum orchestra of the Complutense University of Madrid. The aforementioned company premieres the Cuban zarzuela María la o, by Ernesto Lecuona and the lyrical-anthological shows “this music that I carry inside” and “Mozart and Salieri”.

She debuted the role of Contessa of Le Nozze di Figaro in 2018.

She is debuted Alisa from “Lucia di Lamermoor” on February 1st 2020 in Genova, Teatro Rina e Govi, under the Batton of Mº G.B Bergamo in Italia.

Most recently, from 2019 and onwards, she changed her training onto Soprano Roles, because, her technique has improved up to the point of a D6 range;

She has the following roles by heart;

La Contessa, The Marriage of Figaro (Wolfgang Amadeus Mozart)

Liù, Turandot (Giacomo Puccini)

Lulu, Lulu (Alban Berg)

The Marschallin, Der Rosenkavalier (Richard Strauss)

Magda, La rondine (Puccini)

Wally, La Wally (Alfredo Catalani)

Mimì, La bohème (Puccini)

Micaëla, Carmen (Georges Bizet)

Rusalka, Rusalka (Antonín Dvořák)

Tatyana, Eugene Onegin (Pyotr Ilyich Tchaikovsky)

Hanna, The Merry Widow (Franz Lehár) Bess, Porgy and Bess (George Gershwin) prepared the following roles